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Niteroi, Rio de Janeiro / Brazil - October 31, 2018: Oscar Niemeyer's Contemporary Art Museum, a masterpiece of modern architecture, built in 1996.

Museum of Contemporary Art, Niteroi, with sugar bread in the background, Rio de Janeiro, Brazil on September 01, 2022.

Rio de Janeiro, Brazil - April 29, 2023: The Niemeyer Way is a cultural center in the coastline of Niteroi. It contains 6 famous buildings designed by the late architectect.

Niteroi, RJ, Brazil - April, 25th 1997: The MAC was projected by architect Oscar Niemeyer and was inaugurated in September, 2nd 1996. Is located at the borders of Guanabara bay.

Rio de Janeiro, Brazil - November 15, 2017 : Niteroi Contemporary Art Museum, Museu de Arte Contemporanea de Niteroi, MAC. Famous building of the brazilian architect Oscar Niemeyer.

$February 20, 2020 - Niteroi, Rio de Janeiro, Rio de Janeiro State, Brazil: The main entrance of Niterói Contemporary Art Museum in a cloudy summer day. On back, the mountainous Rio de Janeiro horizon, in the background Corcovado mountain with statue of Christ the Redeemer, urban areas of Botafogo, Flamengo and Centro, Sugarloaf mountain. \n\nThe Niterói Contemporary Art Museum (Museu de Arte Contemporânea de Niterói — MAC) is situated in the city of Niterói, Rio de Janeiro, Brazil, and is one of the city’s main landmarks. It was completed in 1996.\n\nDesigned by Oscar Niemeyer with the assistance of structural engineer Bruno Contarini, who had worked with Niemeyer on earlier projects, the MAC-Niterói is 16 meters high; its cupola has a diameter of 50 meters with three floors. The museum has a collection of 1,217 works from the art collector João Sattamini. A collection assembled since the 1950s by that collector, constituted by the second largest collection of contemporary art in Brazil, the history of the iconic building is clouded by a political corruption scandal.\n\nThe museum projects itself over Boa Viagem (“Bon Voyage,” “Good Journey”) beach and also a neighborhood, the 817 square metres (8,790 sq ft) reflecting pool that surrounds the cylindrical base “like a flower,” in the words of Niemeyer.$