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Monte oliveto, tuscany, italy, june 15, 2016 : frescoes of the Life of St. Benedict painted by Luca Signorelli and il Sodoma, in the great cloister, 15th century

The beautiful fresco painted by Giotto depicting Saint Francis talking to birds inside the Basilica Superiore di San Francesco (Upper Basilica of Saint Francis), in the medieval heart of Assisi, in Umbria. Giotto painted a series of great frescoes along the walls of the single nave of the Basilica between 1292 and 1305, depicting the Stories of St. Francis, from his vocation to his death. Built in the Italian Gothic style starting from 1228 and completed in 1253, the Basilica preserves the mortal remains of the Saint of the Poor since 1230. The construction of the Basilica consists of a Lower Basilica and an Upper Basilica, perfectly integrated. Over the centuries Assisi and the spirituality of its sacred places have become a symbol of peace, a point of reference for tolerance and solidarity between peoples and between the different confessions of the world. The Umbria region, considered the green lung of Italy for its wooded mountains, is characterized by a perfect integration between nature and the presence of man, in a context of environmental sustainability and healthy life. In addition to its immense artistic and historical heritage, Umbria is famous for its food and wine production and for the high quality of the olive oil produced in these lands. Since 2000 the Basilica and other Franciscan sites of Assisi have been declared a World Heritage Site by UNESCO. Image in high definition format.

Naples - The fresco of Resurrection of the Widow's Son at Nain in the church Chiesa di Santa Maria di Piedigrotta by Belisario Corenzio (1558 – 1646).

$Fresco Giotto \$

This is a picture of the Lazarus's resurrection depicted in the 18th chapel of the famous Sacro Monte of Varallo in the northern of Italy.

Padua, Italy- July, 05, 2022: Interior of Basilica di Sant Antonio in Padova, Veneto, Italy. Image of St. Anthony talking to fish.

Galatina, Apulia (Italy): a composition made of details from the XVth century frescoes painted on the walls of the Basilica of St. Catherine of Alexandria.

St Peter Preaching, by Masolino, famous Early Renaissance Fresco in the Brancacci Chapel of Florence, Italy

The detail of a fresco by Cimabue inside the Basilica Inferiore di San Francesco (Upper Basilica of San Francesco), in the medieval heart of Assisi, in Umbria. Built in the Italian Gothic style starting from 1228 and completed in 1253, the Basilica preserves the mortal remains of the Saint of the Poor since 1230. The construction of the Basilica consists of a Lower Basilica and an Upper Basilica, perfectly integrated. Over the centuries Assisi and the spirituality of its sacred places have become a symbol of peace, a point of reference for tolerance and solidarity between peoples and between the different confessions of the world. The Umbria region, considered the green lung of Italy for its wooded mountains, is characterized by a perfect integration between nature and the presence of man, in a context of environmental sustainability and healthy life. In addition to its immense artistic and historical heritage, Umbria is famous for its food and wine production and for the high quality of the olive oil produced in these lands. Since 2000 the Basilica and other Franciscan sites of Assisi have been declared a World Heritage Site by UNESCO. Image in high definition format.

Vienna - The detail of fresco Jesus in nailed to the corss (pharisees) in the church of St. John the Nepomuk by Josef Furlich (1844 - 1846).

Religious art in Sacro Monte di Varallo, Italy: Chapel's interiors

Sant Alberto di Butrio, Italy - May 28, 2020: Abbey (Eremo) of Sant Alberto di Butrio, in Oltrepo Pavese, Pavia province, Lombardy, Italy, medieval religious building. Church interior with paintings

$Dionysos discovers Ariadne on Naxos from the house of the colored columns in Pompeii.\nAfter Ariadne helped Theseus escape from the labyrinth, he abandoned her on the island of Naxos. His ship sails off in the upper right. Dionysus and his retinue discover her sleeping; the god falls in love with her and makes her his consort.$

14th century frescoes in the Upper Basilica of St Francis in Assisi

Fresco depicting a Scene in the Life of Saint Magnus of Fussen, Saint Mang, in the Basilica of Fussen, Bavaria, Germany.

The detail of the figure of Saint Francis in one of the magnificent frescoes painted by Giotto inside the Basilica Superiore di San Francesco (Upper Basilica of Saint Francis), in the medieval heart of Assisi, in Umbria. Giotto painted a series of great frescoes along the walls of the single nave of the Basilica between 1292 and 1305, depicting the Stories of St. Francis, from his vocation to his death. Built in the Italian Gothic style starting from 1228 and completed in 1253, the Basilica, which preserves the mortal remains of the Saint of the Poor from 1230, is composed of the Basilica Inferiore (Lower Basilica) and the Basilica Superiore (Upper Basilica), perfectly integrated. Over the centuries Assisi and the spirituality of its sacred places have become a symbol of peace, a point of reference for tolerance and solidarity between peoples and between the different confessions of the world. The Umbria region, considered the green lung of Italy for its wooded mountains, is characterized by a perfect integration between nature and the presence of man, in a context of environmental sustainability and healthy life. In addition to its immense artistic and historical heritage, Umbria is famous for its food and wine production and for the high quality of the olive oil produced in these lands. Since 2000 the Basilica and other Franciscan sites of Assisi have been declared a World Heritage Site by UNESCO. Image in high definition format.

Genova - The fresco of Twelve old Jesus in the Temin the church Basilica della Santissima Annunziata del Vastato by brothers Giovanni e Giovanni Battista Carlone from 17. cent.

Basilica di Santa Caterina d'Alessandria, Southern Italy, Galatina, Apulia: Interiors fresco details

Switzerland. Ticino. Orselina. May, 8, 2016. This colorful image depicts a painting depicting St. Francis of Assisi, (1181 / 82-1226), founder of the Franciscan Order, praying on Mount Alverne (La Verna mountain), receiving the stigmata of Christ appeared in the sky in the form of a seraph. The original paintings were destroyed and replaced by new ones by Luigi Tagliana. (1866-1936). The original paintings from the entrance to the presbytery are by Alessandro Gorla (1560-1632). Church of the Annunciation. Sixteenth century. Marian Sanctuary of Madonna del Sasso.

Ancient frescoes on the interior walls of the Church of the Annunciation (Italian: Chiesa di Santa Maria Annunciata), a Catholic church in the town of Bienno. The numerous frescos date back to the sixteenth century with works by Giovanni Pietro da Cemmo and Girolamo Romani, known as Romanino.

Milan, Italy - April 18, 2023: Interior of the historic Certosa di Garegnano in Milan, Lombardy, Italy

Santa Claus Church in the ancient city of Myra. Myra ancient city is in the province of Antalya, Turkey.

blue painted ceiling, interior of the Castle Torrechiara in Langhirano, Italy

Sacred painting on a column of Aracoeli church in Rome, ready for Jubilee year 2025

Cremona, Italy - May 24, 2016: Cremona - The fresco of St. Joachim and St. Anne, Parents of the Virgin Mary in The Cathedral by Boccaccio Boccaccino (1466 - 1525).

St Peter Healing the Sick with His Shadow, by Masaccio, famous Early Renaissance Fresco in the Brancacci Chapel in Florence, Italy

$The oldest part of the church - the nave - dates back to around year 1250 and is the only part of the original building, about year 1300 the 8 arches were build in and in 1350 the first frescoes were painted on the chancel arch at the choir, they portraits the four evangelists. Then 150 years later the church was white-washed and decorated by the much so mysterious Elmelundemestrer. In the beginning of the 16th century the old choir was replaced with the one present today and the tower was build.\nThe frescoes was covered for many years but then in 1932-34 they were brought back into the light. Due to the massive layer of dust the frescoes had been protected from the white-wash and in order to bring them forward the restorer only had to dry-out the church and knock/peel of the outer coat of white-wash.$

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