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Scene in the olden time at Bolton Abbey engraved George Zobel after painting by Edwin Henry Landseer. Published in London on May 16, 1865 by William Tegg, Pancras Lane.
The last purebred aborigines of Tasmania (William Lanne, 2nd from the left, 1835-1869). The Aboriginal Tasmanians (Palawa) was the indigenous people of the Australian state of Tasmania. Wood engraving, published in 1865.
Abraham and Isaac carrying wood for the burnt offering in the old book The Bible in Pictures, by G. Doreh, 1897
Portrait of Stephanus Johannes Paulus Kruger (Paul Kruger), 3rd State President of the South African Republic (1825 - 1904). Vintage photo etching circa late 19th century.
Busy roads of horse drawn carriages outside Royal Exchange and Bank of England
19th century illustration of a scientist with microscopes, books, vials and bottles delving into the mysteries of the natural world.   From a 1876 copy of Harper's New Monthly Magazine.
The portrait of Jan Amos Komensky from 20 Czechoslovakian Koruna banknote isolated on a white background
Vintage photograph of Victorian actressess dressed as men and boys, 1890s, 19th Century
A 19th century illustration two native Greenland Eskimos in traditional dress entitled 'modern Eskimos'.
Moritz von Schwind was an Austrian painter and draftsman of the late romantic period.\nPhotography from 19th century.
Moses bringing water out of the rock in the old book The Bible in Pictures, by G. Doreh, 1897
Richard Cobden (1804 - 1865), British manufacturer and leading figure of Manchester liberalism and the free trade movement. Wood engraving, published in 1865.
London, England 1800s: \nThe Palace of Westminster the Parliament of the United Kingdom in London, England. \nCommonly called the Houses of Parliament with the House of Commons and House of Lords.\n\nThe Chamber of the House of Commons measures 14 by 20.7 metres and is plainer in style than the Lords Chamber; the benches, as well as other furnishings in the Commons side of the palace, are coloured green. Other parliaments in Commonwealth nations, India, Canada, Australia, have copied the colour scheme with green and red.
Another exciting evening as Papa prepares to read to his family another enlightening chapter of the Bible. Engraving/illustration from the book \
Double exposure of portrait of U.S. presidents Benjamin Franklin and Alexander Hamilton
Vintage photograph of Officer of the Highland Regiment, British Army, 19th Century
Engraving of \
Illustration from 19th century
Jehu's servants find Jezebel's remains in the old book The Bible in Pictures, by G. Doreh, 1897
This vintage image by Trevor McClurg depicts a soldier returning home from battle. Published in 1866, it is now in the public domain.
Lower Regent Street with horse drawn taxi and stagecoaches on road
An illustration from the April 1876 issue of Harper's New Monthly Magazine  showing an outside view  of \
Jose Felix Ribas (1775 - 1815). Portrait from Venezuela Banknotes
Antique photomontage photograph, Young women out in the countryside, Pastoral, Victorian, 19th Century.
Image from 1894 French book, about the New Adventures of the nephew of Robinson. Black and white illustrations of the era and culture of maritime advenure.\nHer we see an admiral courting and taking his hat of to a beautiful lady, by a stone bench.
Illustration from 19th century
Israel's march in the wilderness in the old book The Bible in Pictures, by G. Doreh, 1897
Horse Guards - a historic building in the City of Westminster, London, on Whitehall\n\nBuilt in the mid-18th century as a barracks for the Household Cavalry. \n\nHorse Guards was the entrance to the Palace of Whitehall and St James's Palace;  still ceremonially defended by the King's Life Guard.
Giuseppe Verdi  (1813 –   1901) was an Italian Romantic composer. His operas such as  Rigoletto,  La traviata,  Nabucco and Aida are as popular today as when they were first written Etching is from a 1877 issue of Harper's New Monthly Magazine.
Free Images: "bestof:Richard Ansdell - Fellow-Commoners (The Etching Club, 1857).jpg fr Fellow-Commoners eau-forte de Richard Ansdell Publié par The Etching Club en 1857 en"
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