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the beautiful oil painting of Judith and Holofernes - Holofernes speaks in Judith's ear
The Pallas-Athene Fountain (Pallas-Athene-Brunnen) is a wonderful example of artwork created between 1893 and 1902 to give an allegorical representation of the four most important rivers of the Austro-Hungarian Empire. It stands in front of the Austrian Parliament building, a Greek revival style palace. This impressive architectural complex is one of the most famous landmark of Vienna. Black and white image.
Naples - The detail of Archangel Michael from painting of Fall of the Rebel Angels in the church Chiesa dell' Ascensione a Chiaia by Luca Giordano (1657).
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Fresco in St. Charles's Church in Vienna
Religious art in Sacro Monte di Varallo, Italy: Adam and Eve
Beautiful painting of a young man and woman of the Palatine Chapel or Cappella Palatina in the old town of Palermo, Sicily, Italy
Genius of the Arts, statue by Filippo Gnaccarini at the nymphaeum on Pincian Hill in the city of Rome the capital of Italy.
No kisses with golden face mask. Modern remake of classical artwork with coronavirus theme - young medieval couple on dark background, golden colored. Concept of coronavirus, pandemic, creativity.
Rome, Italy, Holy Stairs church: detail of the statue sculpted by Ignazio Jacometti (1854). Jesus is showed to the crowd by Pontius Pilate. This detail shows the Jesus' hands tided and the Pilate's left hand pointing out Jesus.
close-up of The Rape of Polyxena statue in Florence Italy\nThe Rape of Polyxena is a marble statue located in the Loggia dei Lanzi in Florence, Italy's Piazza della Signoria. It was sculpted by Pio Fedi in 1868, it was placed alongside several sculptures from the Renaissance.
Python, in Greek mythology, a huge serpent that was killed by the god Apollo at Delphi either because it would not let him found his oracle, being accustomed itself to giving oracles, or because it had persecuted Apollo's mother, Leto, during her pregnancy.\n\nThe fresco shows the Omphalos stone covered with a net and the Python wrapped around it. A priestess stands at left with a sacrificial bull.\n\nA detail from a sacrificial scene shows a bull being brought to the omphalos - Made up of a stone and a snake it represents the navel of the world - Apollo plays the zither.\n\nThe ancient Greeks also used omphalos to refer to a sacred, rounded stone in the Temple of Apollo at Delphi that was supposed to mark the center of the earth.
Palermo, Italy - October 17, 2022: Detail of a fresco of the Pompeiana hall in the apartments of the Norman Palace also known as the Royal Palace
Ancient classical sculpture depicting a man and a woman looking at each other. It is part of one of the fountains adorning the Maria-Theresien Platz, in central Vienna. The large square divides the two identical palaces that host the Naturhistorisches Museum - Natural History Museum, and the Kunsthistorisches Museum - the Art History Museum. All the complex was built in the second half of the nineteenth century. Black and white image.
Close-up head shots of white marble allegorical figures of rivers Inn and Danube unveiled in 1902 by Austrian sculptor Hugo Haerdtl (1846-1918) as part of Pallas Athene fountain on Vienna Ring Road, Ringstrasse
East Doors (Gates of Paradise) by Lorenzo Ghiberti on Florence Baptistery (Battistero di San Giovanni) in Tuscany, Italy. These doors consist of 10 panels depicting scenes from the Old Testament and were commissioned in 1424. Once completed, they were described by Michelangelo as being fit to be the 'gates of paradise'. The doors displayed are now a copy of the original, with those being displayed in a local museum.
Gatchina, Russia - 16 July 2010: Fragment of the ceiling painting of the 18th century in the royal pavilion in the Gatchina Park. Plafond Triumph of Venus, was written in 1797 by artist I. Mettenleiter.
Sculptures in Piazza della Signoria of Florence:Rape of the Sabine
Milan, Italy - July 16, 2020: Sant Eustorgio, Paleochristian church in Romanesque style in Milan, Lombardy, Italy. Painting in the interior
Ares and Aphrodite - Pompeii, House of the Wedding of Hercules (or House of Mars and Venus).\nMars lifts the blue mantle of Venus, to admire her nakedness characterized only by a gold chain arranged in an X on her chest. Characteristic is the representation of the two sexes which provides a dark complexion for the man and a light and delicate complexion for the woman. Two cupids play with the weapons of Mars. The shield and helmet send back reflections of light.
Austria. Vienna. September, 13, 2013. This colorful image depicts a woman giving food or drink to a sick person. Details. Fresco dating from 1726-1729. The frescoes of the cupolas extend over 1,250 m2 and trace the glory of St. Charles Boromée. Johann Michael Rottmayr (1654-1730). Karlskirche. St. Charles's Church. 1716.
Religious art and architectural details in Sacro Monte di Varallo, Italy
Palma de Mallorca - The painting of God the Creator and St. Michael archangel in presbytery of church San Miguel by Juan Muntaner Cladera (end of 18. cent.).
Painting by Luigi Sabatelli dated 1806 in the Chapel of Madonna del Conforto, Cathedral of Arezzo
Possagno, Italy - June 2022: Venus and Mars - Venere e Marte - by Antonio Canova, 1816
This is a copy (extrusion) of the baroque sculpture called Boreás and Óreitheya (also called Carrying the Beauty of Time). It's located in Jungmann Square in Prague, Czech Republic. The original statue was created by Matyáš Bernard Braun in 1735. The original statue is now kept in the monastery grounds in Kladruby near Stříbra.
The main features of classicism: restraint, aristocracy. The color 3d background for the walls is light green and noble. 3d effect of quilted leather and columns. Francois Boucher, 1742 Venus disarming Cupid.
Pompeii Centaurs with man playing the zither Villa of Cicero ( later known as the Villa of Diomedes ), outside Pompeii 1-37 AD
Paris, france, april 04, 2017 : interiors decor of Sainte croix des armeniens church, 19th century paintings by Ary Scheffer, Thomas Degeorge and Jean-Pierre Franque
Side view detail of a statue (completed in 1885 by Leonidas Drosis) of the classical Greek philosopher Socrates, at the Academy of Athens in Greece.
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