Free Images - SnappyGoat.com- bestof:Night stand or night cabinet, attributed to John and Thomas Seymour, Boston, 1798-1807, mahogany with mahogany and maple veneers, white pine, cherry, marble,

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Manakamana Temple, Gorkha, Nepal - Taken November 23, 2012. The temple sitting on a hill just over 100 kilometers from the capital city of Kathmandu. Popular temple in the country where according to legend wishes come true. Night time prayer candles light up the temple.

Manakamana Temple, Gorkha, Nepal - Taken November 23, 2012. The temple is just over 100 kilometers from the capital city of Kathmandu. Popular temple in the country where according to legend wishes come true. Locals and pilgrims here enjoying the warm fire in the night around the temple.

Manakamana Temple, Gorkha, Nepal - Taken November 23, 2012. The temple sitting on a hill just over 100 kilometers from the capital city of Kathmandu. Popular temple in the country where according to legend wishes come true. End of the day people are getting ready to start lighting prayer candles.

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Manakamana Temple, Gorkha, Nepal - Taken November 23, 2012. The temple is just over 100 kilometers from the capital city of Kathmandu. Popular temple in the country where according to legend wishes come true. Pottery wares are on sale in the nearby shop around the temple.

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Manakamana Temple, Gorkha, Nepal - Taken November 23, 2012. The temple sitting on a hill just over 100 kilometers from the capital city of Kathmandu. Popular temple in the country where according to legend wishes come true.

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Free Images: "bestof:Night stand or night cabinet, attributed to John and Thomas Seymour, Boston, 1798-1807, mahogany with mahogany and maple veneers, white pine, cherry, marble,"

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Night stand or night cabinet, attributed to John and Thomas Seymour, Boston, 1798-1807, mahogany with mahogany and maple veneers, white pine, cherry, marble, replaced brass hardware - Winterthur Museum - DSC01381.JPG

Side table, attributed to John and Thomas Seymour, Boston, 1800-1810, carving attributed to Thomas Wightman, mahogany with birch veneers, rosewood banding, white pine, cherry, marble - Winterthur Museum - DSC01379.JPG

Card table, attributed to John and Thomas Seymour, Boston, Massachusetts, 1798-1804, mahogany with maple and rosewood veneers, white pine, birch, maple, ash - Winterthur Museum - DSC01374.JPG

Tambour Desk, attributed to John and Thomas Seymour, Boston, 1793-1798, mahogany with mahogany, satinwood, and maple veneers, brass, ivory, paper, enamel on copper - National Gallery of Art, Washington - DSC08774.JPG

Lady's writing desk with tambour shutters, labeled 'John Seymour & Son, Cabinet Makers, Creek Square', Boston, 1793-1796, mahogany with ash, white pine, ivory, original brass and enamel- Winterthur Museum - DSC01377.JPG

Gaming Table, possibly by Thomas Seymour, Boston, 1815-1820, mahogany and maple veneers, various marbles, ormolu, leather and baize - National Gallery of Art, Washington - DSC08794.JPG

Tambour Desk, made by John and Thomas Seymour, Boston, 1790-1796, mahogany with mahogany, satinwood, and curly maple veneers, brass, ivory, paper, enamel on copper - National Gallery of Art, Washington - DSC08782.JPG

Chest of drawers, attributed to western Vermont, 1810-1820, cherry, maple, and white pine, with birch and mahogany veneers - Bennington Museum - Bennington, VT - DSC08728.JPG

Card table, attributed to Thomas Seymour, carving attributed to Thomas Wightman, Boston, 1816-1817, rosewood, mahogany, birds-eye maple veneer, chestnut, ash, brass and brass powder - Winterthur Museum - DSC01431.JPG

Japanned high chest, signed in chalk 'Pim', case by John Pimm, Boston, Massachusetts, 1740-1750, soft maple, black walnut, white pine, mahogany, paint, gesso, original brass, view 1 - Winterthur Museum - DSC01398.JPG

Japanned high chest, signed in chalk 'Pim', case by John Pimm, Boston, Massachusetts, 1740-1750, soft maple, black walnut, white pine, mahogany, paint, gesso, original brass, view 2 - Winterthur Museum - DSC01401.JPG

Easy chair, Boston, 1740-1790, mahogany, maple, white pine - Concord Museum - Concord, MA - DSC05675.JPG

Bedsead, Boston area, 1760-1780, mahogany, maple, white pine, reproduction hangings - Concord Museum - Concord, MA - DSC05712.JPG

Sideboard, maker unknown, Windsor VT, c. 1798, mahogany, maple, birch, pine, and cherry, with mahogany and rosewood veneers and light and dark wood inlays - Bennington Museum - Bennington, VT - DSC08739.JPG

Armchair, possibly by John and Thomas Seymour, Boston, 1795-1805, maple with various maple veneers - National Gallery of Art, Washington - DSC08812.JPG

Nest of Tables or Quartetto Tables, attributed to Thomas Seymour, painting attributed to John Ritto Penniman, Boston, 1804-1810, maple, paint - National Gallery of Art, Washington - DSC09744.JPG

Desk and bookcase (behind mirror), possibly by Thomas Sherburne shop, Boston, Massachusetts, 1770-1785, mahogany, white pine, yellow pine, replaced brass hardware - Winterthur Museum - DSC01366.JPG

Sofa, probably made in shops of John B. Warner (1806-1863), Wallingford or Manchester VT, mahogany and mahogany veneer, cherry, maple, pine, new upholstery - Bennington Museum - Bennington, VT - DSC08862.JPG

Ford_A9228_NLGRF_photo_contact_sheet_(1976-04-13)(Gerald_Ford_Library).jpg

Ford_A9230_NLGRF_photo_contact_sheet_(1976-04-13)(Gerald_Ford_Library).jpg

Wash stand, Boston, 1795-1810, mahogany, birch veneers, pine, with pitcher, England, 1805-1815, glazed earthenware - Concord Museum - Concord, MA - DSC05710.JPG

Card Table, Boston, 1730-1740, mahogany with white pine - Chazen Museum of Art - DSC02564.JPG

Tea Table, Boston, 1735-1755, mahogany with white pine - Chazen Museum of Art - DSC02555.JPG

Sofa, attributed to Duncan Phyfe shop, New York, 1810-1815, mahogany, cherry, pine, gilt brass, modern upholstery - Cincinnati Art Museum - DSC04583.JPG

Pier table made by H. Bradley & Sons, Alexandria, mahogany, white pine, replacement marble - The Lyceum - Alexandria, Virginia - DSC03484.JPG

Card table, Boston, Massachusetts, 1740-1755, mahogany, white pine - Winterthur Museum - DSC01368.JPG

Tea table, Boston, Massachusetts, 1755-1765, mahogany, white pine - Winterthur Museum - DSC01372.JPG

Card Table, Philadelphia, 1765-1775, attributed to Benjamin Randolph, mahogany with oak and white pine - Chazen Museum of Art - DSC02656.JPG

Sideboard, maker unknown, Boston, Massachusetts, c. 1790-1805, mahogany, mahogany veneer, purpleheart, maple, ebony, pine - De Young Museum - DSC01262.JPG

Clock, attributed to Aaron Willard Jr. shop, Boston, 1800-1810, mahogany, casuarina, pine, brass, steel, painted glass - Concord Museum - Concord, MA - DSC05711.JPG

Desk attributed to Edward Priestly, c. 1825-1835, mahogany, mahogany veneer, satinwood, ebony, yellow poplar, white pine - De Young Museum - DSC01258.JPG

Sideboard, probably Boston MA, 1825-1835, mahogany, mahogany veneer, eastern white pine - Concord Museum - Concord, MA - DSC05778.JPG

Tall case clock, Boston, 1785-1795, mahogany, mahogany veneer, holly, white pine, brass, painted iron - Concord Museum - Concord, MA - DSC05649.JPG

Secretaire a abattant, by Joseph Laidain, Boston, Massachusetts, 1826, mahogany mahogany veneer, basswood, white pine, brass - Winterthur Museum - DSC01428.JPG

Chest of drawers, maker unknown, Boston, Massachusetts, c. 1750-1790, mahogany and white pine - De Young Museum - DSC00954.JPG

Lady's worktable, by Anthony Van Doorn (1792-1871), Brattleboro VT, 1836-1847, mahogany veneer, maple, white pine, other soft woods - Bennington Museum - Bennington, VT - DSC08824.JPG

Half sideboard with swag-and-tassel frieze, Windsor County VT, 1810-1815, cherry, pine, basswood, with mahogany and maple inlay - Bennington Museum - Bennington, VT - DSC08817.JPG

Bombe Desk and Bookcase by an unknown maker, Boston, Massachusetts, 1770-1778, mahogany and white pine - Museum of Fine Arts, Springfield, MA - DSC03949.JPG

Dressing glass, Boston, Massachusetts, 1755-1770, mirror from England 1755-1770, mahogany, aspen, white pine, red cedar, white oak, replaced brass hardware - Winterthur Museum - DSC01371.JPG

Massachusetts slant front desk, maker unknown, c. 1770, Dayton Art Institute.JPG

Ford_B0616_NLGRF_photo_contact_sheet_(1976-07-08)(Gerald_Ford_Library).jpg

Ford_B2665_NLGRF_photo_contact_sheet_(1977-01-05)(Gerald_Ford_Library).jpg

Ford_A9989_NLGRF_photo_contact_sheet_(1976-05-26)(Gerald_Ford_Library).jpg

Ford_B1745_NLGRF_photo_contact_sheet_(1976-10-04)(Gerald_Ford_Library).jpg

Ford_A8937_NLGRF_photo_contact_sheet_(1976-03-24)(Gerald_Ford_Library).jpg

Ford_B0600_NLGRF_photo_contact_sheet_(1976-07-08)(Gerald_Ford_Library).jpg

Ford_B0835_NLGRF_photo_contact_sheet_(1976-07-27)(Gerald_Ford_Library).jpg

Ford_A1616_NLGRF_photo_contact_sheet_(1974-10-24)(Gerald_Ford_Library).jpg

Ford_B1672_NLGRF_photo_contact_sheet_(1976-09-25)(Gerald_Ford_Library).jpg

Ford_B2664_NLGRF_photo_contact_sheet_(1977-01-05)(Gerald_Ford_Library).jpg

Ford_B2124_NLGRF_photo_contact_sheet_(1976-11-01)(Gerald_Ford_Library).jpg

Katherine_Ferrers,_Lady_Fanshaw,_possible_female_highwayman_known_as_"The_Wicked_Lady".jpg

Ford_A2724_NLGRF_photo_contact_sheet_(1975-01-09)(Gerald_Ford_Library).jpg

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