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Treviso - The renaissance fresco of Three Magi in the Cathedral by Giovanni Antonio de Sacchis - Pordenone (1520).

This is an image of the Gondola stations at San Marco Square in Venice, Italy with a boarding station and tourists in the gondolas in the midground is an ACTV waterbus and in the background is the Church of San Giorgio Maggiore.

Monopoli, metropolitan city of Bari, Apulia, Italy - 26 march 2023: Cathedral Basilica Maria Santissima della Madia - The pictorial cycle, created around 1732 by Michelangelo Signorile from Bari, commissioned by Bishop Iorio, recalls, with four paintings, the story of the coming of the Icon of the Madonna

$Cupid working as goldsmith\n\nAn ancient Fourth-Pompeian-Style Roman wall painting in the House of the Vettii or Casa dei Vettii or Domus Vettiorum. Excavated 1894-1895\n\nThe brothers Aulus Vettius Restitutus and Aulus Vettius Conviva commissioned their Fresco decorations from one of the leading artists; workshops so that their home would be not only a comfortable residence but also a status symbol. Cupids and their female equivalents ( psyches ) engaged in a number of different activities$

El Greco, Greek (active in Italy and Spain), 1541 - 1614, Christ Driving the Money Changers from the Temple, c. 1570-1575, Oil on Canvas

Vasari Fresco done in the 1500s. Brunelleschi Cupola, Florence Duomo. Tuscany, Italy.

The ceiling of the Collegiate Church of Sant’Andrea at the town of Empoli, west of Florence in the Tuscany region of Italy.

Milan, Italy - April 18, 2023: Interior of the historic Certosa di Garegnano in Milan, Lombardy, Italy

Parma - The fresco The Circumcision of Jesus in Duomo by Lattanzio Gambara (1567 - 1573).

Painting by Luigi Sabatelli dated 1806 in the Chapel of Madonna del Conforto, Cathedral of Arezzo

florence, italy, october 26, 2015 : interiors and architectural details of Santa Croce basilica, october 26, 2015 in Florence, Italy

$Fresco from Pompei, Casa di Venus, 1st century AD. Dug out in 1960. It is supposed that this fresco could be the Roman copy of famous portrait of Campaspe, mistress of Alexander the Great\nThe Venus Anadyomene ( Venus rising from the sea ) is considered one of Apelles’s masterpieces. Although the original is lost, we can imagine it somewhat similar to the Roman Venus o. Venus or Aphrodite (the Greek equivalent) was the Goddess of beauty and love. Her birth took place near Cyprus when she rose out of the calm sea. This moment was that Apelles chose to depict. It is said that for this painting he used Campaspe or Phryne as his model. The latter was another courtesan famous for her beauty. According to Athenaeus, Apelles was inspired to draw Venus’s birth when he saw Phryne swimming naked. The painting eventually ended up in the temple of Caesar in Rome, where, according to Pliny, it sustained minor damaged. Eventually Nero had it removed and replaced with another painting. After the success of the first Venus, Apelles decided to create an even better one. Unfortunately, he passed away before finishing it.$

Frescoes (1502) in Piccolomini Library in Siena Cathedral, Tuscany, Italy, by Pinturicchio depicting Pope Pius II leaving for the Council of Basel. The storm scene is a first in western art.

Religious art and architectural details in Sacro Monte di Varallo, Italy

Church of San Maurizio al Monastero Maggiore, Milan

14th Century oil painting of Jesus Christ Crucifixion depiction at interior wall of historic church Collégiale Saint Julien. It is a beautiful church located in the southern suburbs of Tournon-sur-Rhone. The church is known for its archaic setting and the Italian architecture that adorn. Built in the 14th Century, this building's main attraction is its awe-inspiring bell tower. Tournon-sur-Rhone, France

Genova - The fresco of Last Judgment in the church Chiesa del Gesu by Giovanni Battista and his brother Giovanni Carlone from 17. cent.

Venice, Italy - November 2022: Ceiling of San Pantalon church, the biggest canvas painting in the world, depicting the Martyrdom and Apotheosis of St Pantalon, by Giovanni Antonio Fumiani 1680 - 1704

$Python, in Greek mythology, a huge serpent that was killed by the god Apollo at Delphi either because it would not let him found his oracle, being accustomed itself to giving oracles, or because it had persecuted Apollo's mother, Leto, during her pregnancy.\n\nThe fresco shows the Omphalos stone covered with a net and the Python wrapped around it. A priestess stands at left with a sacrificial bull.\n\nA detail from a sacrificial scene shows a bull being brought to the omphalos - Made up of a stone and a snake it represents the navel of the world - Apollo plays the zither.\n\nThe ancient Greeks also used omphalos to refer to a sacred, rounded stone in the Temple of Apollo at Delphi that was supposed to mark the center of the earth.$

Decoration of Rector's palace. Dubrovnik. Croatia.

Luxury marbled paper background texture, Brown and black

Milan, Italy - July 16, 2020: Sant Eustorgio, Paleochristian church in Romanesque style in Milan, Lombardy, Italy. Painting in the interior

Religious art in Sacro Monte di Varallo, Italy: Adam and Eve

Parma - The fresco of The wedding at Cana in church Chiesa di Santa Croce by Giovanni Maria Conti della Camera (1614 - 1670).

Inside the church of Santa Maria della Scala, Siena, Tuscany, Italy

Fresco representing the Last Supper inside the church of Santa Maria delle Grazie in Anghiari, Tuscany, Italy

This is a picture of the Lazarus's resurrection depicted in the 18th chapel of the famous Sacro Monte of Varallo in the northern of Italy.

Colorful mural inside of the Basilica della Santissima Annunziata is a Renaissance-style, Catholic minor basilica in Florence, region of Tuscany, Italy

$Psyches gather flowers ( Faniciulle Fioraie - Little flower girls )\n\nAn ancient Fourth-Pompeian-Style Roman wall painting in the House of the Vettii or Casa dei Vettii or Domus Vettiorum. Excavated 1894-1895\n\nThe brothers Aulus Vettius Restitutus and Aulus Vettius Conviva commissioned their Fresco decorations from one of the leading artists; workshops so that their home would be not only a comfortable residence but also a status symbol. Cupids and their female equivalents ( psyches ) engaged in a number of different activities$

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