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Treviso - The Resurrection of Lazarus by Francesco Pittoni (1710) in saint Nicholas or San Nicolo church.
Leon, Nicaragua - November 17, 2008: A man and woman work to restore one of the fourteen paintings by Nicaraguan artist Antonio Sarria, which were done in the late 19th and early 20th centuries and depict the Stations of the Cross. The paintings -- and this restoration work -- are inside the Leon Cathedral, which in 2011 was named a UNESCO World Heritage Site.
Milan, Italy - April 8, 2023: Milan, Lombardy, Italy: interior of the medieval San Marco church. Andata al Calvario by Ercole Procaccini
Religious art and architectural details in Sacro Monte di Varallo, Italy
Anthony van Dyck, Flemish, 1599-1641, The Betrayal of Christ, c. 1618-1620, Oil on canvas
Galatina, Apulia (Italy): a composition made of details from the XVth century frescoes painted on the walls of the Basilica of St. Catherine of Alexandria.
Macon, france, april 04,  2017 : details of mural interiors decor in saint vincent  church, anonymous artist, 18th century
Basilica dei Santi Giovanni e Paolo, Venice, Italy - June 1th 2024:  Glass reliquary with a wax figure of a male saint in front of an altar in the basilica which has a long history, the building where completed in 1430 and has since in periods been the burial place for the dodges of Venezia
Padua - Paint of the Resurrection of Lazarus scene in the church Chiesa di San Gaetano and the chapel of the Crucifixion by unknown painter from 17th century
Ancient Roman fresco ( 45-79 d.C. ) from the Augusteum-Basilica, Herculaneum.\nAlcestis and Admetus. The oracle predicts the death of Admetus.\nAlcestis, in Greek legend, the beautiful daughter of Pelias, king of Iolcos. She is the heroine of the eponymous play by the dramatist Euripides ( c. 484–406 bce ). According to legend, the god Apollo helped Admetus, son of the king of Pherae, to harness a lion and a boar to a chariot in order to win Alcestis's hand.
Milan, Italy - July 16, 2020: Sant Eustorgio, Paleochristian church in Romanesque style in Milan, Lombardy, Italy. Painting in the interior
Religious art in Sacro Monte di Varallo, Italy: Chapel's interiors
Austria. Vienna. September, 13, 2013. This colorful image depicts a woman giving food or drink to a sick person. Details. Fresco dating from 1726-1729. The frescoes of the cupolas extend over 1,250 m2 and trace the glory of St. Charles Boromée. Johann Michael Rottmayr (1654-1730). Karlskirche. St. Charles's Church. 1716.
The ‘Deposition of Jesus’ in the Church of San Matteo in Genoa is a eighteenth-century artwork in painted wood by Anton Maria Maragliano
Life of Jesus. By Albert Welles. NY 1874 Completely redrawn (in a new style) ancient illustration.
Image of Jesus Nazareno carving of the holy week of Tordesillas, Valladolid-Spain. Processions through the streets. Christ with the cross on his back.
Gent - Christ healing the blind men on the road to Jericho. Paint from Pieter Norbert van Reysschoot (1738 - 1795) in st. Peters church.
Apollo, with his bow and quiver sits behind a wall or trellis with a muse at the moment when Admetos and Alkestis receiving the oracle\nFresco from House of the Tragic Poet ( Pompeii )\n\nAlcestis and Admetus of Pherae\nAlcestis, in order to comply with the prophecy of Apollo, agrees to sacrifice herself in place of her bridegroom, king Admetus.\nPompeii, House of the Tragic Poet, VI 8, 5, tablinum.\n45-79 AD.\n\nAlcestis was the fairest among the daughters of Pelias, king of Iolcus, and either Anaxibia or Phylomache. She was sister to Acastus, Pisidice, Pelopia and Hippothoe. Alcestis was the wife of Admetus by whom she bore a son, Eumelus, a participant in the siege of Troy, and a daughter, Perimele.\nIn Greek mythology, Admetus was a king of Pherae in Thessaly.
El Greco, Greek (active in Italy and Spain), 1541 - 1614, Christ Driving the Money Changers from the Temple, c. 1570-1575, Oil on Canvas
This stained glass window was taken in Puerto Rico in September 2006 with a Nikon D50.
A close up view of a section of one of the tapestries at the MET Cloisters in New York City.
Anastasis fresco in parekklesion of the Chora Church (Kariye Museum) in Istanbul. Fresco date 14 century.
Adoration Magi Three Kings Virgin Mary Baby Jesus Nativity Painting Seville Cathedral Seville Andalusia Spain Painting by Jacob Jordaens in 1669 Cathedral built 1500s
Details of the interiors of Collegiata di San Gaudenzio church, Varallo, Italy
Naples - The detail of Archangel Michael from painting of Fall of the Rebel Angels  in the church Chiesa dell' Ascensione a Chiaia by Luca Giordano (1657).
Iphigeneia carried to the sacrifice by Odysseus and Menelaos\nThe House of the Tragic Poet ( also called The Homeric House or The Iliadic House ) is a Roman house in Pompeii, Italy dating to the 2nd century BC. The house is famous for its elaborate mosaic floors and frescoes depicting scenes from Greek mythology.\nFrom left to right : Agamemnon - Odysseus - Menelaos ( holding Iphigeneia ) - Calchas
Switzerland. Ticino. Orselina. May, 8, 2016. This colorful image depicts a painting of the painting of Antonio Ciseri, (1821-1891), originally from Ronco sopra Ascona, made in Florence between 1864 and 1870: Transport of Christ to the Sepulcher. Church of the Annunciation. Sixteenth century. Marian Sanctuary of Madonna del Sasso.
The ‘Deposition of Jesus’ in the Church of San Matteo in Genoa is a eighteenth-century artwork in painted wood by Anton Maria Maragliano
anvers, belgium, august 03, 2014 : interiors and architectural details of notre dame d'anvers cathedral,   august 3, 2014,  in  anvers, belgium
During the holy week of Tordesillas in the province of Valladolid-Spain, the processional carvings of the different brotherhoods are exposed, the Christ of Forgiveness seems to look at the golden light that enters through a window.
Free Images: "bestof:Fabritius Raising of Lazarus (detail).jpg Artwork Creator Carel Fabritius ca 1643 oil canvas Institution National Museum Warsaw 2 accession number M Ob 563"
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