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Naples - The detail of Archangel Michael from painting of Fall of the Rebel Angels  in the church Chiesa dell' Ascensione a Chiaia by Luca Giordano (1657).
High resolution photograph of a detail from a portrait of Charles VIII King of France, 15th Century
Church in Naples (Italy)
Cupid working as  goldsmith\n\nAn ancient Fourth-Pompeian-Style Roman wall painting in the House of the Vettii or Casa dei Vettii or Domus Vettiorum. Excavated 1894-1895\n\nThe brothers Aulus Vettius Restitutus and Aulus Vettius Conviva commissioned their Fresco decorations from one of the leading artists; workshops so that their home would be not only a comfortable residence but also a status symbol. Cupids and their female equivalents ( psyches ) engaged in a number of different activities
Tomb Octaviano Baldiino Mosaic Santa Maria Sopra Minerva Altar Basilica Church Rome Italy. Built in the 1200s on a Temple to Minerva, home of Dominicans
Portrait of pedigree pure breed dog as royalty
Monopoli, metropolitan city of Bari, Apulia, Italy - 26 march 2023: Cathedral Basilica Maria Santissima della Madia - The pictorial cycle, created around 1732 by Michelangelo Signorile from Bari, commissioned by Bishop Iorio, recalls, with four paintings, the story of the coming of the Icon of the Madonna
Rome, Italy, February 1, 2021: Antique Tombstone Handpainted in 1874 situated in Verano Cemetery of Rome, Italy
Naples - The detail of painting of Fall of the Rebel Angels in the church Chiesa dell' Ascensione a Chiaia by Luca Giordano (1657).
Italy - Napoli - Basilica of San Paolo Maggiore and statue of San Gaetano
Venezia, Italy - September 26, 2010: Fresco by Giambattista Tiepolo for Ludovico Rezzonico and Faustina Savorgnan's marriage, on the ceiling of Cà Rezzonico, now Museo del Settecento.
Hercules discovering his son Telephus being nursed by a doe in Arcadia - with Arkadia, Pan and a winged Virgo looking on, first century AD\nRoman fresco in the Augusteum ( so called Basilica ) at Herculaneum.\nIn Greek mythology, Telephus was the son of Heracles and Auge, who was the daughter of king Aleus of Tegea.
Gatchina, Russia - 16 July 2010: Fragment of the ceiling painting of the 18th century in the royal pavilion in the Gatchina Park. Plafond Triumph of Venus, was written in 1797 by artist I. Mettenleiter.
A powerful representation of Cosimo I de' Medici on horseback stands in the historic Piazza della Signoria in Florence, Italy
The central portion of the ceiling of the salle des Pas-Perdus in the palais Bourbon, by Horace Vernet, entitled “Peace Enthroned Before Paris”.
Famous Uffizi gallery in Florence, Italy
Seville - The paint of Battle of Lepanto from 7. 10. 1571  in the church Iglesia de Santa Maria Magdalena by Lucas Valdez (1661 - 1725).
Italy - Torino - Horseman and Church of Saint Laurent in the Piazza Castello
Serrant castle interior (Chateau de Serrant), Saint-Georges-sur-Loire,  Maine-et-Loire department, France
Monument to Emanuele Filiberto in Piazza San Carlo, Turin, Italy
Milan, Italy - April 18, 2023: Interior of the historic Certosa di Garegnano in Milan, Lombardy, Italy
closeup of Bronce Portrait of Wolfgang Amadeus Mozart on Kapuzinerberg, Salzburg, Austria
Turin square at Christmas
Genova - The painting of  The Prophetic Dreams of Joseph in Egypt  in the church Basilica della Santissima Annunziata del Vastato by unknown baroque artist.
Italy - Torino - Piazza San Carlo
Ancient marble statue of mythical character Castor or Pollux, dated back to the 1st century BC, located at the top of monumental balustrade in Capitoline Hill, in Rome
Pompeii fresco painting of cupid leading Zeus’ eagle to Ganymede.\nAfter Zeus became king, Hera turned Aëtos into an eagle out of fear that Zeus was in love with him. Zeus made the eagle his most prominent and sacred symbol.\nZeus and Ganymede were not said to have slept together.\nPompeii - House of Meleager - Room 12
France. Haute-Savoie. St. Nicholas of Veroce / St. Gervais-les-Bains. April, 30, 2019. This colorful image depicts painting (Unknown author): Saint-Martin, bishop of Tours in the fourth century (details), sur l'autel baroque latéral gauche of the church St. Nicolas de Véroce buit in 1725.
Capturing a regal bronze equestrian statue with Florence's urban backdrop, showcasing Italy's legacy of art and leadership
Free Images: "bestof:CarloVIII di Napoli.jpg artwork Creator Giuseppe Bonito s 1740 Oil on canvas cm 128 103 langswitch Royal Academy of law Madrid Real Academia de Jurisprudencia"
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