Free Images - SnappyGoat.com- bestof:...Baptiste Marie - The Temptation of Eve.jpg Artwork Creator Jean-Baptiste Marie Pierre century 18 oil on canvas cm 48 8 57 8 private collection accession number

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Fresco in St. Charles's Church in Vienna

Religious art in Sacro Monte di Varallo, Italy: Adam and Eve

Segovia, Spain - April 14, 2016: Segovia - The painting of young St. John the Baptist in church Monasterio de San Antonio el Real by unknown artist of 16. cent.

$Apollo, with his bow and quiver sits behind a wall or trellis with a muse at the moment when Admetos and Alkestis receiving the oracle\nFresco from House of the Tragic Poet ( Pompeii )\n\nAlcestis and Admetus of Pherae\nAlcestis, in order to comply with the prophecy of Apollo, agrees to sacrifice herself in place of her bridegroom, king Admetus.\nPompeii, House of the Tragic Poet, VI 8, 5, tablinum.\n45-79 AD.\n\nAlcestis was the fairest among the daughters of Pelias, king of Iolcus, and either Anaxibia or Phylomache. She was sister to Acastus, Pisidice, Pelopia and Hippothoe. Alcestis was the wife of Admetus by whom she bore a son, Eumelus, a participant in the siege of Troy, and a daughter, Perimele.\nIn Greek mythology, Admetus was a king of Pherae in Thessaly.$

the beautiful oil painting of Judith and Holofernes - Holofernes speaks in Judith's ear

Detail of a bas relief from the Cathedral of Saints Peter and Paul, built around 1113 in Sessa Aurunca, a small town of the Caserta province, in Campania, Italy. The bas relief was sculpted on a marble slab by the medieval artist Pellegrino da Sessa, also known as Peregrinus, in the XIII century.

No kisses with golden face mask. Modern remake of classical artwork with coronavirus theme - young medieval couple on dark background, golden colored. Concept of coronavirus, pandemic, creativity.

Painting by Luigi Sabatelli dated 1806 in the Chapel of Madonna del Conforto, Cathedral of Arezzo

Anthony van Dyck, Flemish, 1599-1641, The Betrayal of Christ, c. 1618-1620, Oil on canvas

Religious art and architectural details in Sacro Monte di Varallo, Italy

Bruges - Hagar and Ismael on the desert by Mathias de Visht (1694) in st. Jacobs church (Jakobskerk)

$Cupid in a chariot race.\nAn ancient Fourth-Pompeian-Style Roman wall painting in the House of the Vettii or Casa dei Vettii or Domus Vettiorum. Excavated 1894-1895\n\nThe brothers Aulus Vettius Restitutus and Aulus Vettius Conviva commissioned their Fresco decorations from one of the leading artists; workshops so that their home would be not only a comfortable residence but also a status symbol. Cupids and their female equivalents ( psyches ) engaged in a number of different activities$

Austria. Vienna. September, 13, 2013. This colorful image depicts a woman giving food or drink to a sick person. Details. Fresco dating from 1726-1729. The frescoes of the cupolas extend over 1,250 m2 and trace the glory of St. Charles Boromée. Johann Michael Rottmayr (1654-1730). Karlskirche. St. Charles's Church. 1716.

14th Century oil painting of Jesus Christ Crucifixion depiction at interior wall of historic church Collégiale Saint Julien. It is a beautiful church located in the southern suburbs of Tournon-sur-Rhone. The church is known for its archaic setting and the Italian architecture that adorn. Built in the 14th Century, this building's main attraction is its awe-inspiring bell tower. Tournon-sur-Rhone, France

Palermo, Italy - October 17, 2022: Detail of a fresco of the Pompeiana hall in the apartments of the Norman Palace also known as the Royal Palace

Architectural details of the Commerzbank building in Leipzig.

The main features of classicism: restraint, aristocracy. The color 3d background for the walls is light green and noble. 3d effect of quilted leather and columns. Francois Boucher, 1742 Venus disarming Cupid.

This international landmark, as seen on the external public-facing door of the baptistery, was designed by Lorenzo Ghiberti (between 1425-1452) and is an icon of the renaissance. The reliefs represent stories from the Old Testament. The visible heads are those of prophets. The doors displayed are now a copy of the original, with those being displayed in a local museum.

Naples - The detail of Archangel Michael from painting of Fall of the Rebel Angels in the church Chiesa dell' Ascensione a Chiaia by Luca Giordano (1657).

Details of the interiors of Collegiata di San Gaudenzio church, Varallo, Italy

Beautiful painting of a young man and woman of the Palatine Chapel or Cappella Palatina in the old town of Palermo, Sicily, Italy

$Engraving of \$

vintage medieval tiles for house cladding girl with a wreath, isolated on white background

$Ares and Aphrodite - Pompeii, House of the Wedding of Hercules (or House of Mars and Venus).\nMars lifts the blue mantle of Venus, to admire her nakedness characterized only by a gold chain arranged in an X on her chest. Characteristic is the representation of the two sexes which provides a dark complexion for the man and a light and delicate complexion for the woman. Two cupids play with the weapons of Mars. The shield and helmet send back reflections of light.$

Europe. France. Auvergne-Rhône-Alpes. Ain. Bourg-en-Bresse. 08/05/2019. This colorful image depicts Mary Magdalene penitent. 1768. Laurent Pécheux. 1729-1821. Oil on canvas. Inv. 2017.7.1. Municipal Museum of Bourg-en-Bresse.

East Doors (Gates of Paradise) by Lorenzo Ghiberti on Florence Baptistery (Battistero di San Giovanni) in Tuscany, Italy. These doors consist of 10 panels depicting scenes from the Old Testament and were commissioned in 1424. Once completed, they were described by Michelangelo as being fit to be the 'gates of paradise'. The doors displayed are now a copy of the original, with those being displayed in a local museum.

Vienna - The painting of Jesus in the Gethsemane garden in church St. Johann der Evangelist by Karl Geiger (1876).

$Cemetery Verano, Rome, Italy: grave of the nuns called \$

Gatchina, Russia - 16 July 2010: Fragment of the ceiling painting of the 18th century in the royal pavilion in the Gatchina Park. Plafond Triumph of Venus, was written in 1797 by artist I. Mettenleiter.

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