MAKE A MEME View Large Image This psalter was produced ca. 1250-75 in a region of northeastern France that was at the time considered Flanders. The manuscript seems to have been transported to Italy, on the evidence of textual additions associated with the Italian ...
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Keywords: indoor writing text This psalter was produced ca. 1250-75 in a region of northeastern France that was at the time considered Flanders. The manuscript seems to have been transported to Italy, on the evidence of textual additions associated with the Italian Cistercians, ownership by a person affiliated with the Italian Cistercian foundation, and ownership by Bartolomeus dala Vale. The manuscript is incomplete as well as misbound, containing Psalms, canticles, and the Cistercian Ordinary for ferial Office. There are seven extant historiated initials and occasional penwork creatures. All manuscript images and descriptions were created and are provided through Preservation and Access grants awarded to the Walters Art Museum by the National Endowment for the Humanities, 2008-2014. Access a complete set of high-resolution archival images of this manuscript for free on the Digital Walters at www.thedigitalwalters.org/Data/WaltersManuscripts/html/W9 For a digital “turning the pages” presentation of this manuscript and downloadable PDFs, visit the Walters Art Museum’s Works of Art Web site at www.art.thewalters.org/detail/19944</a This psalter was produced ca. 1250-75 in a region of northeastern France that was at the time considered Flanders. The manuscript seems to have been transported to Italy, on the evidence of textual additions associated with the Italian Cistercians, ownership by a person affiliated with the Italian Cistercian foundation, and ownership by Bartolomeus dala Vale. The manuscript is incomplete as well as misbound, containing Psalms, canticles, and the Cistercian Ordinary for ferial Office. There are seven extant historiated initials and occasional penwork creatures. All manuscript images and descriptions were created and are provided through Preservation and Access grants awarded to the Walters Art Museum by the National Endowment for the Humanities, 2008-2014. Access a complete set of high-resolution archival images of this manuscript for free on the Digital Walters at www.thedigitalwalters.org/Data/WaltersManuscripts/html/W9 For a digital “turning the pages” presentation of this manuscript and downloadable PDFs, visit the Walters Art Museum’s Works of Art Web site at www.art.thewalters.org/detail/19944</a
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