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| Keywords: blackandwhite monochrome surreal photo border black and white William Hogarth, The Enraged Musician, 1741. “Enclosures are molds, distinct castings, but controls are a modulation, like a self-deforming cast that will continuously change from one moment to the other, or like a sieve whose mesh will transmute from point to point.” Gilles Deleuze, Postscript on the Societies of Control, 1990 * * * “Mr. Crotchet’s article reveals a humanist with a keen interest in public education. He wants to tune the soundscape, not pulverize it into submission. We might say that he wants to compose the sounds of the street, not by aristocratic decree, but by giving the sound makers something like music lessons so that their sound making will suffer less from cross-talk, cancellation, and redundancy — in short it might become more harmonic.” R. Murray Schafer, Voices of Tyranny, Temples of Silence, 1993 William Hogarth, The Enraged Musician, 1741. “Enclosures are molds, distinct castings, but controls are a modulation, like a self-deforming cast that will continuously change from one moment to the other, or like a sieve whose mesh will transmute from point to point.” Gilles Deleuze, Postscript on the Societies of Control, 1990 * * * “Mr. Crotchet’s article reveals a humanist with a keen interest in public education. He wants to tune the soundscape, not pulverize it into submission. We might say that he wants to compose the sounds of the street, not by aristocratic decree, but by giving the sound makers something like music lessons so that their sound making will suffer less from cross-talk, cancellation, and redundancy — in short it might become more harmonic.” R. Murray Schafer, Voices of Tyranny, Temples of Silence, 1993 Enraged musician.jpg The Enraged Musician http //www gutenberg org/files/22500/22500-h/22500-h htm 1741 creator William Hogarth PD-Old artwork PD-old-100 William Hogarth William Hogarth, The Enraged Musician, 1741. “Enclosures are molds, distinct castings, but controls are a modulation, like a self-deforming cast that will continuously change from one moment to the other, or like a sieve whose mesh will transmute from point to point.” Gilles Deleuze, Postscript on the Societies of Control, 1990 * * * “Mr. Crotchet’s article reveals a humanist with a keen interest in public education. He wants to tune the soundscape, not pulverize it into submission. We might say that he wants to compose the sounds of the street, not by aristocratic decree, but by giving the sound makers something like music lessons so that their sound making will suffer less from cross-talk, cancellation, and redundancy — in short it might become more harmonic.” R. Murray Schafer, Voices of Tyranny, Temples of Silence, 1993 | ||||
