Keywords: devotional “book hours” christian flemish manuscript illumination miniature painting “walters art museum” flanders “15th century” devotion These two illuminations were cut out of a deluxe Book of Hours that was originally created ca. 1450-60. It is likely that they are by an artist based in Bruges, as they are stylistically related to works from that region in that period (see, for example, W.240). They have been compared to the miniatures in the Hours of Juana Enríquez (Madrid, Biblioteca de Palacio, unnumbered), as well as to the work of the Master of Girart de Roussillon, active in Brussels ca. 1450-70. The images came from the January and February calendars, although they were framed in the reverse order, with February on the left, and January on the right. A frame of tortoise shell and gilded copper was created for their display, likely in the seventeenth century, and the date of the frame may suggest when the images were removed from their original manuscript context. Enclosed in tortoise shell frame with decorative gilt copper device for hanging, possibly seventeenth century. All manuscript images and descriptions were created and are provided through Preservation and Access grants awarded to the Walters Art Museum by the National Endowment for the Humanities, 2008-2015. Access a complete set of high-resolution archival images of this manuscript for free on The Digital Walters (www.thedigitalwalters.org/01_ACCESS_WALTERS_MANUSCRIPTS.html). For a digital “turning the pages” presentation of the manuscripts and downloadable PDFs, visit the Walters Art Museum’s Website (art.thewalters.org/browse/category/manuscript-and-rare-bo...). These two illuminations were cut out of a deluxe Book of Hours that was originally created ca. 1450-60. It is likely that they are by an artist based in Bruges, as they are stylistically related to works from that region in that period (see, for example, W.240). They have been compared to the miniatures in the Hours of Juana Enríquez (Madrid, Biblioteca de Palacio, unnumbered), as well as to the work of the Master of Girart de Roussillon, active in Brussels ca. 1450-70. The images came from the January and February calendars, although they were framed in the reverse order, with February on the left, and January on the right. A frame of tortoise shell and gilded copper was created for their display, likely in the seventeenth century, and the date of the frame may suggest when the images were removed from their original manuscript context. Enclosed in tortoise shell frame with decorative gilt copper device for hanging, possibly seventeenth century. All manuscript images and descriptions were created and are provided through Preservation and Access grants awarded to the Walters Art Museum by the National Endowment for the Humanities, 2008-2015. Access a complete set of high-resolution archival images of this manuscript for free on The Digital Walters (www.thedigitalwalters.org/01_ACCESS_WALTERS_MANUSCRIPTS.html). For a digital “turning the pages” presentation of the manuscripts and downloadable PDFs, visit the Walters Art Museum’s Website (art.thewalters.org/browse/category/manuscript-and-rare-bo...). |