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| Keywords: devotional book of hours bookofhours christian flemish book codex grotesques historiated initial historiatedinitial illumination manuscript miniature walters art museum waltersartmuseum flanders 15th century 15thcentury 16th century 16thcentury devotion indoor This pocket-size Book of Hours, ca. 1500, was completed in the style of the Master of the Prayerbooks and his associates. This manuscript was likely completed in Bruges, where these artists seem to have been centered. The style of illumination, which can be seen in the twelve extant miniatures, borders, historiated initials, and even drolleries, exhibits a skilled precision required of painters who were tasked with completing the illumination of books this size. Italy, ca. seventeenth century; crimson morocco over pasteboard, butt corners; original sewing on four tawed bands, silver initials on each side: "D V" at top, "M M" at base; lower cover: "D M" at top, "R M" at base; spine rebacked, possibly repaired, endbands in blue and pink silk, gilt edges, indentations attest to former presence of two fore-edge fastenings. All manuscript images and descriptions were created and are provided through Preservation and Access grants awarded to the Walters Art Museum by the National Endowment for the Humanities, 2008-2015. Access a complete set of high-resolution archival images of this manuscript for free on The Digital Walters (www.thedigitalwalters.org/01_ACCESS_WALTERS_MANUSCRIPTS.html). For a digital “turning the pages” presentation of the manuscripts and downloadable PDFs, visit the Walters Art Museum’s Website (art.thewalters.org/browse/category/manuscript-and-rare-bo...). This pocket-size Book of Hours, ca. 1500, was completed in the style of the Master of the Prayerbooks and his associates. This manuscript was likely completed in Bruges, where these artists seem to have been centered. The style of illumination, which can be seen in the twelve extant miniatures, borders, historiated initials, and even drolleries, exhibits a skilled precision required of painters who were tasked with completing the illumination of books this size. Italy, ca. seventeenth century; crimson morocco over pasteboard, butt corners; original sewing on four tawed bands, silver initials on each side: "D V" at top, "M M" at base; lower cover: "D M" at top, "R M" at base; spine rebacked, possibly repaired, endbands in blue and pink silk, gilt edges, indentations attest to former presence of two fore-edge fastenings. All manuscript images and descriptions were created and are provided through Preservation and Access grants awarded to the Walters Art Museum by the National Endowment for the Humanities, 2008-2015. Access a complete set of high-resolution archival images of this manuscript for free on The Digital Walters (www.thedigitalwalters.org/01_ACCESS_WALTERS_MANUSCRIPTS.html). For a digital “turning the pages” presentation of the manuscripts and downloadable PDFs, visit the Walters Art Museum’s Website (art.thewalters.org/browse/category/manuscript-and-rare-bo...). | ||||
