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| View Original: | Book_of_Hours,_Decorated_Initial,_Walters_Manuscript_W.211,_fol._38r.jpg (1249x1800) | |||
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| Keywords: devotional book of hours bookofhours flemish christian book grotesques illumination manuscript miniature walters art museum waltersartmuseum flanders 15th century 15thcentury devotion photo border text This Book of Hours, completed ca. 1440, is an example of the artistic production of the Masters of the Gold Scrolls, a group of illuminators primarily active in Bruges ca. 1410-50. The liturgical Use combines Rome with a Rouen variant, particularly in the Hours of the Virgin. The book gives unusual emphasis to St. Jodocus, depicted first in the company of other saints and later as a single portrait at the head of his Suffrage (fols. 37v and 160r). SS. Christopher (fol. 161v) and Peter of Luxemburg (fol. 164v) are the only other saints illuminated in the Suffrages. All manuscript images and descriptions were created and are provided through Preservation and Access grants awarded to the Walters Art Museum by the National Endowment for the Humanities, 2008-2015. Access a complete set of high-resolution archival images of this manuscript for free on The Digital Walters (www.thedigitalwalters.org/01_ACCESS_WALTERS_MANUSCRIPTS.html). For a digital “turning the pages” presentation of the manuscripts and downloadable PDFs, visit the Walters Art Museum’s Website (art.thewalters.org/browse/category/manuscript-and-rare-bo...). This Book of Hours, completed ca. 1440, is an example of the artistic production of the Masters of the Gold Scrolls, a group of illuminators primarily active in Bruges ca. 1410-50. The liturgical Use combines Rome with a Rouen variant, particularly in the Hours of the Virgin. The book gives unusual emphasis to St. Jodocus, depicted first in the company of other saints and later as a single portrait at the head of his Suffrage (fols. 37v and 160r). SS. Christopher (fol. 161v) and Peter of Luxemburg (fol. 164v) are the only other saints illuminated in the Suffrages. All manuscript images and descriptions were created and are provided through Preservation and Access grants awarded to the Walters Art Museum by the National Endowment for the Humanities, 2008-2015. Access a complete set of high-resolution archival images of this manuscript for free on The Digital Walters (www.thedigitalwalters.org/01_ACCESS_WALTERS_MANUSCRIPTS.html). For a digital “turning the pages” presentation of the manuscripts and downloadable PDFs, visit the Walters Art Museum’s Website (art.thewalters.org/browse/category/manuscript-and-rare-bo...). | ||||
