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| Keywords: people blackandwhite drawing sketch monochrome illustration cartoon indoor ancient black and white Aphra Behn (July 10, 1640–April 16, 1689) was a prolific dramatist of the Restoration and was one of the first English professional female writers. Her writing participated in the amatory fiction genre of British literature. The personal history of Aphra Behn, one of the first English women credited to earn their livelihood by authorship,[1] is difficult to unravel and relate. Information regarding her, especially her early life, is scant, but she was almost certainly born in Wye, near Canterbury, on July 10, 1640 to Bartholomew Johnson, a barber, and Elizabeth Denham. The two were married in 1638 and Aphra, or Eaffry, was baptized on December 14, 1640. Elizabeth Denham was employed as a nurse to the wealthy Colepeper family, who lived locally, which means that it is likely that Aphra grew up with and spent time with the family's children. The younger child, Thomas Colepeper, later described Aphra as his foster sister. In 1663 she visited an English sugar colony on the Suriname River, on the coast east of Venezuela (a region later known as Suriname). During this trip she is supposed to have met an African slave leader, whose story formed the basis for one of her most famous works, Oroonoko. The veracity of her journey to Suriname has often been called into question; however, enough evidence has been found to convince most Behn scholars today that the trip did indeed take place. Though little is really known about Behn’s early years, evidence suggests that she may have had a Catholic upbringing. She once admitted that she was "designed for a nun" and the fact that she had so many Catholic connections, such as Henry Neville who was later arrested, would certainly have aroused suspicions during the anti-Catholic fervor of the 1680s (Goreau 243). Her sympathy to the Catholics is further demonstrated by her dedication of her play "The Rover II" to the Catholic Duke of York who had been exiled for the second time (247). Behn was firmly dedicated to the restored King Charles II. As political parties first emerged during this time, Behn was a Tory supporter. Tories believed in absolute allegiance to the king, who governed by divine right (246). Behn often used her writings to attack the parliamentary Whigs claiming "In public spirits call’d, good o’ th’ Commonwealth…So tho’ by different ways the fever seize…in all ’tis one and the same mad disease." This was Behn’s reproach to parliament which had denied the king funds. Like most Tories, Behn was distrustful of Parliament and Whigs since the Revolution and wrote propaganda in support of the restored monarchy (248). Shortly after her return to England in 1664 Aphra Johnson married Johan Behn, who was a merchant of German or Dutch extraction. Little conclusive information is known about their marriage, but it did not last for more than a few years. Some scholars believe that the marriage never existed and Behn made it up purely to gain the status of a widow, which would have been much more beneficial for what she was trying to achieve. She was reportedly bisexual, and held a larger attraction to women than to men, a trait that, coupled with her writings and references of this nature, would eventually make her popular in the writing and artistic communities of the 20th century and present day.[2][3][4] By 1666 Behn had become attached to the Court, possibly through the influence of Thomas Culpepper and other associates of influence, where she was recruited as a political spy to Antwerp by Charles II. Her code name for her exploits is said to have been Astrea, a name under which she subsequently published much of her writings. The Second Anglo-Dutch War had broken out between England and the Netherlands in 1665.[3] She became the lover to a prominent and powerful royal, and from him she obtained political secrets to be used to the English advantage.[3] Behn's exploits were not profitable, however, as Charles was slow in paying (if he paid at all) for either her services or her expenses whilst abroad. Money had to be borrowed for Behn to return to London, where a year's petitioning of Charles for payment went unheard, and she ended up in a debtor's prison. By 1669 an undisclosed source had paid Behn's debts, and she was released from prison, starting from this point to become one of the first women who wrote for a living. She cultivated the friendship of various playwrights, and starting in 1670 she produced many plays and novels, as well as poems and pamphlets. Her most popular works included The Rover, Love-Letters Between a Nobleman and His Sister, and Oroonoko. Amongst her notable critics was Alexander Pope, against whom she has been defended. Aphra Behn died on April 16, 1689, and was buried in Westminster Abbey. Below the inscription on her tombstone read the words: "Here lies a Proof that Wit can never be / Defence enough against Mortality."[5] She was quoted as once stating that she had led a "life dedicated to pleasure and poetry." Aphra Behn (July 10, 1640–April 16, 1689) was a prolific dramatist of the Restoration and was one of the first English professional female writers. Her writing participated in the amatory fiction genre of British literature. The personal history of Aphra Behn, one of the first English women credited to earn their livelihood by authorship,[1] is difficult to unravel and relate. Information regarding her, especially her early life, is scant, but she was almost certainly born in Wye, near Canterbury, on July 10, 1640 to Bartholomew Johnson, a barber, and Elizabeth Denham. The two were married in 1638 and Aphra, or Eaffry, was baptized on December 14, 1640. Elizabeth Denham was employed as a nurse to the wealthy Colepeper family, who lived locally, which means that it is likely that Aphra grew up with and spent time with the family's children. The younger child, Thomas Colepeper, later described Aphra as his foster sister. In 1663 she visited an English sugar colony on the Suriname River, on the coast east of Venezuela (a region later known as Suriname). During this trip she is supposed to have met an African slave leader, whose story formed the basis for one of her most famous works, Oroonoko. The veracity of her journey to Suriname has often been called into question; however, enough evidence has been found to convince most Behn scholars today that the trip did indeed take place. Though little is really known about Behn’s early years, evidence suggests that she may have had a Catholic upbringing. She once admitted that she was "designed for a nun" and the fact that she had so many Catholic connections, such as Henry Neville who was later arrested, would certainly have aroused suspicions during the anti-Catholic fervor of the 1680s (Goreau 243). Her sympathy to the Catholics is further demonstrated by her dedication of her play "The Rover II" to the Catholic Duke of York who had been exiled for the second time (247). Behn was firmly dedicated to the restored King Charles II. As political parties first emerged during this time, Behn was a Tory supporter. Tories believed in absolute allegiance to the king, who governed by divine right (246). Behn often used her writings to attack the parliamentary Whigs claiming "In public spirits call’d, good o’ th’ Commonwealth…So tho’ by different ways the fever seize…in all ’tis one and the same mad disease." This was Behn’s reproach to parliament which had denied the king funds. Like most Tories, Behn was distrustful of Parliament and Whigs since the Revolution and wrote propaganda in support of the restored monarchy (248). Shortly after her return to England in 1664 Aphra Johnson married Johan Behn, who was a merchant of German or Dutch extraction. Little conclusive information is known about their marriage, but it did not last for more than a few years. Some scholars believe that the marriage never existed and Behn made it up purely to gain the status of a widow, which would have been much more beneficial for what she was trying to achieve. She was reportedly bisexual, and held a larger attraction to women than to men, a trait that, coupled with her writings and references of this nature, would eventually make her popular in the writing and artistic communities of the 20th century and present day.[2][3][4] By 1666 Behn had become attached to the Court, possibly through the influence of Thomas Culpepper and other associates of influence, where she was recruited as a political spy to Antwerp by Charles II. Her code name for her exploits is said to have been Astrea, a name under which she subsequently published much of her writings. The Second Anglo-Dutch War had broken out between England and the Netherlands in 1665.[3] She became the lover to a prominent and powerful royal, and from him she obtained political secrets to be used to the English advantage.[3] Behn's exploits were not profitable, however, as Charles was slow in paying (if he paid at all) for either her services or her expenses whilst abroad. Money had to be borrowed for Behn to return to London, where a year's petitioning of Charles for payment went unheard, and she ended up in a debtor's prison. By 1669 an undisclosed source had paid Behn's debts, and she was released from prison, starting from this point to become one of the first women who wrote for a living. She cultivated the friendship of various playwrights, and starting in 1670 she produced many plays and novels, as well as poems and pamphlets. Her most popular works included The Rover, Love-Letters Between a Nobleman and His Sister, and Oroonoko. Amongst her notable critics was Alexander Pope, against whom she has been defended. Aphra Behn died on April 16, 1689, and was buried in Westminster Abbey. Below the inscription on her tombstone read the words: "Here lies a Proof that Wit can never be / Defence enough against Mortality."[5] She was quoted as once stating that she had led a "life dedicated to pleasure and poetry." | ||||
